A Definitely Positive Review of Hellboy: The Crooked Man (2024)

When it was first announced that another Hellboy movie was in the works, I was tentatively excited. The comics are, of course, a perennial favorite, as is the Guillermo del Toro version.1 The 2019 movie had one truly brilliant scene2 but was largely an oddly-paced, muddled mess. Still, I never turn down Hellboy, and the title was a promising start. The Crooked Man is a wonderfully spooky story, and I liked the idea of a new movie taking on one of the standalone tales rather than diving into the end game. So, I waited to hear more, and… nothing. Having assumed that the movie — like so many titles — was a project that had simply dropped into the ether, never to be seen again, I forgot about it until people started making noise about a trailer. The trailer looked low-budget but creepy (which, as you all may have noticed, is my favorite kind of horror movie). I went back to being excited.

Then, once again, nothing. No updates, no theatrical release, just radio silence about it being available in the United States.

I will admit, by the time I saw it available to purchase online, I was feeling my doubts. As of sitting down to do so, it had a 29% rating on Rotten Tomatoes.3 Combined with the decision to release it direct to streaming, I was braced for it to be bad. Imagine my shock, dear reader, when it was not bad. In fact, I greatly enjoyed it. It’s not perfect — and we’ll get back to that — but it’s creepy, atmospheric, and fun. And, it feels like the comics. Honestly, go watch it with an open mind and you’re going to have a good evening.

For those of you who are less familiar, here is the basic shape:

While in southern Appalachia in the late 1950s, Hellboy comes across a local resident who has been harmed by a witch. Together with a recently-returned local named Tom Ferrell, who has his own history with the witchcraft and evil in the region, he sets out to look into the matter. Together, they go to bury Tom’s father and confront the local manifestation of the devil — the so-called “Crooked Man”. Sounds simple? It’s a horror movie, friends, you know better than that.

Now, let’s dig in a little more. (A warning: there are going to be spoilers. I will leave out some details, but I will be hitting both the main plot points and things that struck me as being worth some extra discussion. The majority of them are straight from the comic, but there are a few places where the movie differs. Proceed with caution if this bothers you.)

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“Come Go Along With Me”: Murder Ballads, Fairy Tales, and the Danger of Following Men into the Woods

“Come listen to my story,” the song starts. “I’ll tell you no lies.”

The scene unfolds: a beautiful young woman steals away into the woods at night. The branches creak overhead, the river rushes somewhere through the trees, and the figure of a man beckons her to an open grave or a watery death. In the dark, the wild birds sing.

It is, as they say, a tale as old as time; one that we have seen play itself out in countless fairy tales, ghost stories, plays, true crime podcast, and — yes — ballads. You may have heard the term “murder ballad” before. But what does it mean? As Madison Ava Helm wrote in the introduction to her thesis on the subject: “The ballad is a tricky minx to categorize.”1 Bear with me, and we’ll do our best.

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